Captain Littlepage had overset his mind with too much reading.
--Sarah Orne Jewett, The Country of the Pointed Firs
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Stories never really end. They can go on and on. It's just that sometimes, at a certain point, one stops telling them.
--Mary Norton, The Borrowers
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What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it.
--J. D. Salinger, The Catcher in the Rye
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Mr. Cobb took me into his library and showed me his books, of which he has a complete set.
--Ring Lardner
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The Secret of the Mysterious Makeover: Nancy Gets a Facelift
She'd been hard at work at this sleuthing business for a long time, and it wasn't easy. She'd been bonked on the noggin countless times, locked in innumerable closets, and--oh, horrors!--forced to deal repeatedly with all manner of snarky lowlifes. As teenage girls donned bobby sox and poodle skirts to rock around the clock, she dressed in once-modish frocks that had become passé. Her white-bread, upper-crust attitudes seemed rather snooty in the post-World War II era of civil rights struggles. And with the burgeoning youth culture of rock and roll and teen angst--exemplified by such iconic figures as Elvis Presley and James Dean--her comfortable milieu of teas and luncheons and WASP-y privilege looked sadly antiquated.
After a nearly thirty-year reign as a teen supersleuth, Nancy Drew of River Heights seemed quaint and stodgy, not cutting-edge. Or so the powers-that-be at the Stratemeyer Syndicate thought. It was time, they decreed, for an extensive makeover.
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Beginning in 1959, and over a period of eighteen years, the first thirty-four Nancy Drew books were subjected to some serious revisions, mostly by Harriet S. Adams, the daughter of the Stratemeyer Syndicate's founder. One major element of the revision process was the attempt to remove racial and ethnic stereotyping that was endemic. The stories were prettied up and repackaged (eight, in fact, were completely overhauled and rewritten), and nipped-and-tucked into a rigid twenty-chapter, 180-page framework that had become the norm for the series.
A comparison of the original and revised versions of the first volume of the Nancy Drew series, The Secret of the Old Clock, illustrates the kinds of changes that were made.
The story, in brief, is this: Nancy believes that recently deceased Josiah Crowley wrote a second will that would disinherit the obnoxious, social-climbing Topham family and distribute his wealth to several other more deserving relatives and friends, and sets out to find that new will. She believes an old clock holds the secret--and interrupts thieves who are stealing the clock and other furnishings. Though they imprison her, she eventually manages to follow them, retrieve the clock, and uncover Josiah's new will, to the delight of his rightful heirs.
The revision hews closely to the original in all major respects, but some elements were added and others were tweaked to refashion and update Nancy Drew--and to increase the Stratemeyer Syndicate's bottom line.
Among the changes:
- Action was added.
- Nancy became more law-abiding and respectful of authority.
- Nancy became kinder and less bossy.
- References to guns and alcohol were eliminated.
- Racial and ethnic stereotypes were removed.
- Coincidences were added.
- Class lines and distinctions were blurred.
- Details of food and drink and clothing became more specific.
- Names were sometimes altered and modernized.
- Changes that had occurred in the series over time were included.
- The reading level of the stories was "dumbed down."
Action was added. Originally, the story began with Nancy and her ever-indulgent father discussing Josiah Crowley's will. The revision, however, opens with passerby Nancy saving five-year-old Judy (a new character) from drowning; the child's great-aunts, Crowley relations, tell Nancy they expected a bequest. Later, Nancy rescues a trapped puppy and fends off an attack by the dog's snarling mother. Neither scene has a counterpart in the original text.
Nancy became more law-abiding and respectful of authority. In the original, Nancy finds the elusive clock--which holds a concealed notebook--in a van full of stolen property, stealthily removes it, hides it from police, and absconds with it. But in the revision, although Nancy still takes the clock, she confesses to the cops and returns it, but rationalizes keeping the notebook, with its clue to the will.
Nancy became kinder and less bossy. In the original, she boldly orders the cops to follow her lead; in the revision, they ask her to follow them. In the original, she has no further interest in a caretaker after he provides information; in the revision, she asks the police to put in a good word for him to keep his job, despite his dereliction of duty.
References to guns and alcohol were eliminated. The furniture thieves and the cops exchange gunfire during a chase in the original; a gunshot causes the thieves' van to topple into a ditch. As revised, the van tumbles into a ditch when the crooks are unwisely speeding away. Likewise, the thieves originally stop at a roadhouse for some alcoholic libation and become tipsy; in the revision, they stop to chow down. A caretaker who was distracted with excess drink in the original is tricked and locked in a shed in the revision.
Racial and ethnic stereotypes were removed. The aforementioned caretaker, Jeff Tucker, is a shuffling, childlike, comical, drunken "Negro" in the original, with a long scene in dialect ("I's just a plain culled man with a wife and seven chillun a-dependin' on me. ..."); Nancy calls him "Jeff." In the revision, he is an elderly white man whom Nancy respectfully calls "Mr. Tucker."
Coincidences were added. In the revision, the thieves whom Nancy helps capture also stole from little Judy's great-aunts, and the great-aunts are linked romantically to two brothers who are also among Josiah's rightful heirs.
Class lines and distinctions were blurred. Originally, two poor but worthy sisters, Grace and Allie Horner, who expected to inherit, survive by sewing dresses (Grace) and raising chickens (Allie). Allie's only ambition is to afford a flock of white leghorn chickens so she can sell more eggs and spruce up the farm. But in the revision--in which the pair are named Grace and Allison Hoover--Allison wants to chuck the chicken farming for a singing career; she's hoping to finance singing lessons, and Nancy sets her up with an Italian voice teacher.
Details of food and drink and clothing became more specific. For example, in the revision, when Nancy arrives home after tracking the crooks, she enjoys "a chicken sandwich, some cocoa, and ... a large slice of cinnamon cake over which she poured hot applesauce." The next morning she eats "crisp, golden waffles" with maple syrup and a dish of "yummy" strawberries. In the original, she doesn't eat anything when she gets home and simply has a "hasty meal" of waffles for breakfast.
Names were sometimes altered and modernized. As mentioned, in the revision, Grace and Allie Horner become Grace and Allison Hoover; in addition, Matilda and Edna Turner become Mary (apparently a less quaint name) and Edna Turner; Abigail Rowen becomes Abby Rowen.
Changes that had occurred in the series over time were included. For example, Nancy's blue roadster had become a blue convertible. More significantly, housekeeper Hannah Gruen, originally just an elderly servant whom Nancy had to supervise, had evolved into practically a family member who helped raise Nancy; in the revision, she is clearly a mother-figure who even eats with the family, though she has no authority over Nancy.
The reading level of the stories was "dumbed down." A sample comparison of the first chapter of the original and the revision shows a Flesch-Kincaid Grade Level of 6.3 for the original text, but only 4.5 for the revision. Another example: in the original, Nancy, struggling to pry open a door, comments, "Archimedes didn't know what he was talking about when he said the world could be moved with a lever." Compare the revision: "That old Greek scientist, Archimedes, didn't know what he was talking about when he said the world could be moved with a lever."
While the revisions did eliminate hoary story elements and the casually cruel racial and ethnic stereotyping of an earlier generation, they are generally disdained for also having removed much of the essence and liveliness of Nancy Drew, changing her from a dazzling post-flapper independent woman into a junior June Cleaver who espouses femininity, conformity, and traditional values.
Copyright © 2001. All rights reserved. This article originally appeared in slightly different form at Suite101.com.
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